Friday, May 20, 2005

Star Wars Episode 3 Revenge of the Sith

Episode I was an irredeemable disaster. Episode II was rarely above mediocre, a mess of a movie only memorable for the first scene, the final battle sequence, and some of the worst acting since The Blair Witch Project 2.
So, what to make of Revenge of the Sith? It's far better than the other two installments, but that's not high praise- it barely qualifies as praise at all.

But I'm getting ahead of myself. The movie mostly follows the adventures of the Jedi Anakin Skywalker and Obi Wan Kenobi as they work against the enemies of the republic, and chronicles Anakin's (pitifully short) fall into the Dark side and transformation into Darth Vader. The whole action-adventure side of things is handled rather well, all things considered: clumsy at times, and show-offy, but fun nonetheless. As for the rest...
The acting. Oh my god, the acting!. You know how some directors elicit better performances out of their actors? Well, Lucas is just the opposite*. I assume he's so pissed off he can't replace them with CGI, that he's settled for burning down their careers- there is no other way to excuse some of the shitty dialog he wrote for them.
Plot has never been a strong point in the prequels. This time it fares slightly better, but still falls apart at the slightest examination. I've already mentioned the dialogue, but the characters themselves are underwritten and poorly developed, making it all but impossible to care for them. The comic relief is hardly comic, and ill-conceived oddball touches abound (check out Obi Wan's lizard ride, or the ridiculous wheezing bio-droid) That said, there are some good bits, which I'll get to later.
The special effects are where the movie really shines. Although I still think many of the scenes lack solidity, they are all pretty impressive. Some nerd toiled for weeks on end for that bit of debris to fly out of that explosion and smack that other ship; never mind that a better director would have left it on the background- Lucas focuses on and follows it to show you just how much attention he pays to detail! Plus, it looks pretty damn good.

OK. So, given everything I've mentioned, it'd be a pretty safe bet to say I didn't like it, right? Well, not really. I did enjoy it even if I think it's not particularly good. There are two main things that elevate this above its own mediocrity: a social conscience and, more importantly, violence.

Now, far be it from me to say that this movie is in the same league as Fahrenheit 9/11 or Citizen Bob Roberts. But coming from a man that has his head so far up his own ass that he can bite his uvula, the parallels he draws in his movie to the current political situation are pretty momentous. And I can't believe that the same man who wrote love scenes that would get laughed off a cheap soap opera set wrote the line (and I'm paraphrasing here, my memory sucks): "so this is how democracy ends- with applause"
In another big departure from the other, kiddy-friendlier prequels, this movie is violent. Very much so. While not a drop of blood is spilled, we get hacked limbs, summary executions, a children massacre (!!!), and it is clearly conveyed that all of this violence not only looks cool, but it *hurts*. It made me feel warm and fuzzy all over. Parents all over the world will be psychically scarred, and their children will love it; Hallelujah! Too bad they didn't show the kids, sorry, younglings (...) getting slaughtered.
The last big fight also merits mention. In it Obi Wan exhibits real pathos (in perhaps the only honest-looking emotional display in the whole prequel trilogy), and Anakin... well, I enjoyed that last bits of that scene thoroughly, you'll understand why when you see it. A great detail- their almost identical fighting styles (master and apprentice, after all). Great stuff.

So in the end, I'd say this movie ranks somewhere between OK and good. It entertains, and it might even give someone food for thought. But most importantly, and I thought I'd never say this, is that it qualifies as art- as in the difference between something made to please or meet expectations, and something made because you feel you have something to say. It's not good art, but it takes risks, and that's something I respect.


*: consider Lucas as the Anti-Herzog, and Christensen the anti-kinski: a hack director and a bad actor that constantly elicit new lows from each other...

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