Thursday, April 21, 2005

The Machinist

It begins promisingly enough- the movie hits its stride immediately, mixing just the right amount of mystery with a black sense of humor… The bad news is, that’s the best it’s going to get (at least till the very end). Christian Bale plays the titular Machinist, a skeleton of a man who hasn't been able to sleep for a year. He's always been a good actor, but his thespian skills take a back seat here to his morbidly fascinating physical transformation into a stick drawing of a man- he looks in turns pathetic, craven, sympathetic, and just plain fucking scary. Anyhow, strange, increasingly unnatural things start happening to him, until he comes to realize that - gasp! - something is seriously fucked up with his existence.
Nothing new here. While the action is engaging, it's quite clear that there isn't a whole lot of sense to what's going on. The symbolisms are a bit obvious, and at points it just seems the director is taking elements from movies of this type and trying them out together without any thematic thread to keep it together. He keeps his tongue firmly in cheek throughout, however, and to be fair doesn't try to hide that something strange is going on in the background the way a lesser movie would.
On a higher note, watching Bale is riveting, and living proof that reality can still top CGI. And the ending is brilliant as well, even if it feels a bit of a cop out. It doesn't justify or make all the meandering that's been going on before it any more forgivable, but it's still satisfying and intelligent. While that’s not enough to recommend this over Fight Club, 6th sense, Jacob’s ladder or even Identity, it’s still a welcome diversion. And miles above crap like Rear Window.

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