Tuesday, April 19, 2005

The Missing

The premise is as simple as can be- a mother bands up with her estranged father (who's gone indian decades ago) to rescue her daughter from a band of evil indians who are rounding up women to sell to the mexicans. That's not a bad thing; in fact, in a western, it's an asset.
So by now I'm sure you're thinking how I'm going to comment on the racist depiction of indians and mexicans in the movie... and you'd have a point (the indians turn out to be US army deserters, which I'm sure is established to salvage the image of the natives- the mexicans get no such nicety). But here we run into one of the most heartwarming and loveable (and unexpected) traits of this movie- a mile-wide sadistic streak. There are a lot of assholes in the movie, and even the heroes are not as heroic as they'd be in a lesser film.

The sparse story is rounded out nicely by the beautiful cinematography and by a propensity for taking oddball detours that make the movie feel much more than the sum of its parts. And, oh, the sadism... I lost count of the times I thought to myself- Fuck! Ron Howard directed this? Girls get beaten mercilessly, bystanders are killed without second thought, and well, let's just say there's a scene so gloriously ruthless, it left me smiling for the rest of the film. I'll leave you to guess which.
The performances are fine across the board. Kate Blanchett is a joy to watch, as always, and Tommy Lee Jones does justice to his flawed (and sadly underwritten) character. One thing I didn't mention before- Kate Blanchett's youngest daughter (10 -ish years old) tags along for the ride, and is present during the whole mission. Not once after the first ten seconds did I find this implausible, and not once did I wish her a messy, painful death. Which is a testament to both her acting and to the scriptwriter's prowess.
All in all, an enjoyable movie.

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